Yin/Yang is the biggest painting I've
and it took the longest
time and the most grief and ultimately,
the most satisfaction.
As it became a struggle to complete,
I diverted my attentions to doing some
which were a lot more fun and quicker to do.
the genesis of the later geometric pics.
This is the only decent
photo I've got of the painting,
which was taken at the "Open End" exhibition space.
The image comes from a corridor at Heathrow
See also "Blue Rooms"